Brown Varnish Don't Make It
I was drawn to a piece in the December "Oldie" [out now] by Quentin Letts, on his horror that the restoration of works of art constitutes a kind of criminal act against them [I exaggerate, but forgive me]. I agree that the over-extension of the restorer's art can lead to unfortunate attempts to re-interpret the original work in the 'light' of misguided historicist imaginings of the artist's original intent [never a good idea], but the assertion that an uncleaned 'old master' is somehow superior to the artist's original vision is frankly perverse. As a writer he should ask himself the question 'Would I prefer my writing to remain as clear and legible to a future audience - as true to my original intention - or should I prefer it to obscured by a cloud of obfuscatory noise and confusion instigated by age and degradation? For this is exactly his point about works of art: it would appear that he feels that the fog of history writ large in the agein...